Black Stallion Project Progress

As mentioned previously I was taking Painting Drama, and this is part of my final project based on the Black Stallion.

Black Stallion Thumbs

The initial thumbnails were based on some random splatter and scribble based compositions and developed from there.  I decided I wanted the story to be sci-fi and the Black to be some sort of weird horse-beetle critter to make things more interesting.  I did a lot of different iterations with how bug-like the Black should be.

I also have one more image to go along with it which will hopefully be done in the next few days.

Black Stallion Sketches Black Stallion Sketches
Black Stallion: Freedom

 

Magic Box Progress

For the magic box one of the assignments was to do a pseudo-master copy of a painting with a person in it..  Aaaaand turn them into an animal.

Fancy Animals - Rembrandt - Saskia Fancy Animals - Sketches Fancy Animals - Sketch Fancy Animals - Greyscale

I used a Rembrandt painting as a base and a harpy eagle as my chosen animal.  I had some pictures from the LA zoo to use as reference.

Anyway, I did 4 different color comps based on the colors of some other pictures I had and refined the one I liked the most, which happened to be based off the original image.  Guess you couldn’t go too wrong with that.

Fancy Animals - Progress 1 Fancy Animals - Progress 2

Anyway, here’s the current state it’s in.

Fancy Animals - Progress 3

The Greater Mittar

Of course, I can’t forget to show how I did my other Imaginatomy project.

It was kind of neat that I was able to go and do another project that was associated with Zikkihuru.  Hopefully in the next couple of months I’ll be able to go do a few more pieces with it.  I think I know what I’ll be doing, so we’ll see how it goes between any work I might have.

Of course, I had to start somewhere. So the first step was to go and build the wire skeleton.  I decided I wanted it to be slightly more dynamic, so I started working with one of the feet off the ground.  To balance this, I curved down two of the rear toes so that it’d stick into the foam base I was going to build this on.

Then came the clay.  It was a lot easier working on this one than it was the hyena, mostly because the bones were broader, comparatively.  The main issue I kept having was that the head was pretty heavy, even with the majority of it made out of tinfoil.  Keeping it attached and not crooked in some way was troublesome.  Once it was baked it was less of an issue — though I was afraid that it’d crack right around where it stuck onto the neck.

I set to work on the base next, which was, of course, a total mess.  Since I had experience with it from last time, I sort of knew what I could get away with and how to more efficiently use the materials.  Because of this, it was pretty easy to sculpt out a little creek bed sort of shape and make it look more natural.

I painted it, then added some real dirt to blend it in better.  I left the part where the fake water would be a slight more blue tone to compensate for the yellow cast the fake water had.  I used some white glue and duct tape to create a barrier which would keep the fake water from running off and making a huge mess, and it seemed to work okay.  I really liked the result as well.

I bought a garland of fake plants and trimmed them down to be more of the right scale for the piece.   Combined with some moss and some random cheap herbs from the grocery store to be leaf litter, it blended in really well and made a much better presentation than the one I did last time.  I kept the background fairly simple, and after a few rough prints, finally got one that worked.  I got that attached, painted the front of the model, and added the very compact information card and the whole thing was ready to go.

I learned a lot from the hyena project last time I took the class, and it’s really obvious how I was able to apply that to this one.  Sculpting is definitely fun and I’ll hopefully have time to do it, if only for myself, in the future.  I’m sure that if I hadn’t graduated this term that I’d be TAing the class again and making a third — but hey, I can always do it on my own.  Just got to say thank you to Rey Bustos for teaching such an awesome class, and letting me TA for him these past four semesters.  Definitely going to miss it.

Zikkihuru : Village

Zikkihuru : Village

This one gave me quite a few issues just from not knowing what to do to complete the picture. The answer was pretty much just add more foreground.

Zikkihuru : Village

All things considered, I’m pretty happy with the final result. Regardless of how long it took me to figure out the foreground, it seemed to work out in the end.

Zikkihuru : The Fog

Zikkihuru : The Fog

I think this was technically the third piece started, but it was the second to reach a real finish.

Zikkihuru : The Fog

You’ll be seeing the bird things again later.

An interesting note is that this one also got flipped, albeit in the very early stages. In a way I want to go back and look at older pieces and see if flipping them will help the read.

It was nice to know that I do know how to paint fog. It means less work for a dramatic effect — gotta love that.

Zikkihuru : Lava

Zikkihuru : Lava

So in Senior Project, I went and picked my planet development project, Zikkihuru, as my thing to work on.

Zikkihuru : Lava

The most interesting thing about this piece was that I started with it oriented the opposite direction — with the lizard on the left.  I did my best to frame him light on dark while still keeping things on the darker sort of “evening” light.

The Alchemist : Beginnings

The Alchemist : Beginnings

I totally should have uploaded this ages ago.  Back in Ye Olde Backround Painting class, there was a final piece from The Alchemist.  This time I did pretty much the opening scene from the book.

The Alchemist : Beginnings : Progress

I ended up picking the secondary triadic color scheme for it, and went on to final.  This was a pretty quick project, so I didn’t have that much time to do a bunch of variations.

The Alchemist : Beginnings

The Alchemist : The Oasis

The Alchemist : The Oasis

Yet another piece relating to The Alchemist!  I think, revisions aside, there’s only one more to do after this.  This is yet another piece influenced by N. C. Wyeth and Aztec art.

This time I picked a scene at the Oasis where they are talking about the journey ahead — Santiago has just recently decided that yes, he will continue with the Alchemist to Egypt in search of his Personal Legend.

The Alchemist : The Oasis

Read moreThe Alchemist : The Oasis